Hobbs and Shaw: Movie Review

Fast & Furious Presents: Hobbs & Shaw (2019)

Despite dealing with shitheads daily and getting complaints about said shitheads from other paying customers hourly, the cinema has its fair share of perks. Free popcorn, free soft drinks (Oscar, mate, do you want a soft drink?) and free movies are pretty good, but my favourite has to be that we have the ability to put on movies the night before they are released to the public! Is that legal? Probably not. Should I be telling you this? Definitely not. Do I care? Not at all.
Now that I’ll be back covering the very odd supervisor shift I asked my manager, Gill, to show me how the projectors work. She showed me two years ago, she showed me again yesterday and begosh and begorrah with the way I make life choices she’ll be showing me in two years time. While we ran through Hobbs and Shaw, she skipped ahead and I decided that I must see this movie based on characters that they introduce throughout. Now, I won’t spoil who these actors are because they are hilarious and give the film some fresh faces. I will tell you what I thought of the movie and why you should definitely go see it.

Jason Statham and Dwayne Johnson in Fast & Furious Presents: Hobbs & Shaw (2019)

First of all, the film is grand. You’ll enjoy the outlandishness of the action and you’ll enjoy the comedic partnership of Dwayne Johnson (Hobbs) and Jason Statham (Shaw). You’ll cringe at the emotional bits that are shoehorned in, as well as some romantic storylines that are just, meh. You’ll laugh at some of the violence and you’ll groan at some of the dialogue. But, and this is important, you will enjoy yourself. The actors that I mentioned earlier that make special appearances will have you laughing out loud, or lolling as the kids say these days.
I, personally, had a great time. I left my brain at the door and enjoyed the two hours and fifteen minutes of carnage! Yes, it is that long. Buy a large soft drink and a small soft drink (Neen, would you like a soft drink, NEEN?!). I thought that Johnson and Statham were great together. Statham was almost as funny as he was in Spy, the hilarious comedy about desk-jockey Melissa McCarthy as she is forced to go out into the field to save the world. Watch that and watch this. The Rock has made his name as the biggest action star of the last decade, and this film is no different. He’s also hilarious, and as he says in the film, people like him. Vanessa Kirby, of The Crown fame, is great in her supporting role of Hattie Shaw. She kicks ass, literally, and is the only character with a catchphrase!

Jason Statham and Vanessa Kirby in Fast & Furious Presents: Hobbs & Shaw (2019)

The movie starts big and maintains the action and carnage all the way through. There are maybe three or four quiet scenes that aren’t interrupted by or immediately followed by a car chase, a fist fight or an all out war. It is a proper popcorn movie and one that will satisfy audiences. This means it’s loud as fuck too so that’s a blessing for me as it will mask the noise of teenagers laughing and joking in the back row. Youths!

My only problem with the movie was the fact that Idris Elba’s character, Brixton, the unstoppable half man, half machine, is barely in it. Now, I realise the movie is over two hours long and villains generally get a lot less screen time than our heroes, but I thought that this would be different due to his stature as an actor. Alas, I was wrong. I understand that the film is named Hobbs and Shaw and not Brixton, but I’m still a bit put out.

Actually, I have a much bigger problem with the finished product. Towards the end of the movie, Hobbs returns to Samoa, his homeland, where he meets all of his estranged brothers. They continually call each other ‘uso’, which is the Samoan word for ‘brother’. Now, the wrestling tag team partnership of Jey and Jimmy Uso are called the ‘Usos’. Their ring names are Jey and Jimmy Uso which means that the WWE are calling one of their most long serving pairs the ‘Brothers Brothers’, or Jey Brother and Jimmy Brother. Upon firther research, I have found, dear reader, that the Uso ‘brothers’, are strangers who were made a team for the WWE because they looked alike. Jesus H. Christ. For some reason, I feel like I have been duped. I can’t stop thinking about the fact that I’ve been calling a pair of athletes the Brothers Brothers for a long long time. And that I still watch wrestling. And that I’m broke. I need to lie down.

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The Brothers Brothers

Go see Hobbs and Shaw!

Trailer Watch – Disney Edition

The world of the cinema is awash with remakes and sequels, and this week’s Trailer Watch is no different. Disney, long the proprietor of heartwarming, animated tales, has now become a relentless machine intent on remaking every single one into a live-action blockbuster. So, naturally, here is three trailers recently released by the corporation.

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Mulan (teaser)

The latest in Disney’s attempts to keep their finger in the pie is the remake of the 1998 animated hit, Mulan. The trailer dropped Sunday to millions of views and a clear indication of how well the film will do when it is released.
However, die-hard Disneyites (new knickname I’m trying out for all you Disneyites out there) would do well to read the description for the video on Youtube. This movie is based on the 6th century poem, the Ballad of Mulan. While the animated version is dear to many of us, this one will take a different direction; one more true to the original ballad and more sensitive to Chinese culture and history. I, for one, cannot wait for Spring 2020 and can’t wait to see Yifei Liu as Mulan kick ass.

Maleficent: Mistress of Evil

I was pleasantly surprised when Maleficent (2014) turned out to be a rather good movie. I wasn’t convinced that a villain’s origin story would be appealing as a Disney movie but it was dark, hopeful and filled with enough emotion that I thought it worked very well.
The trailer for the sequel dropped yesterday and it looks fantastic. More family drama looks in store for Maleficent and Aurora when the young princess is sought out for marriage. Michelle Pfeiffer plays a definite villain judging by her glances to the distance as a plan forms behind those wonderful eyes.
There is a twist in the tale as the trailer gives away pretty much the whole story. But I won’t. So have a look.

Frozen II

2 Frozen 2 Feckin’ Cold will be released towards the end of this year. Idina Menzel, Kristen Bell, Josh Gad and Jonathan Groff will reprise their roles in the sequel to the 2013 smash hit which drove parents crazy. This time around Anna, Else, Kristoff and Sven head off to save Arendelle and the world while discovering the origins of Elsa’s powers. Stay strong, Moms and Dads. Stay strong.



Shaft: Movie Review

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Let me just start this by saying that this is one of the funniest movies I’ve seen in a long time. Each of the three shafts are hilarious in their own way, as well as Regina Hall as Samuel L. Jackson’s ex-wife. Leave your brain at the door for a couple of hours and enjoy the comedy as well as the impressive camera work during the action scenes.

Jess T. Usher is J.J. SHaft who enlists the help of his estranged father for a case on his presumed murdered friend. I am looking forward to seeing Usher in more movies, especially comic roles. His timing is perfect.

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Jackson is himself and plays it so well. Whether he is Shaft, Fury or Kincaid, he is a joy to watch on screen and generates the most laughs.
Rountree also proved that he can still cut it in the action world, breaking through highrise windows and stabbing bad guys for fun.
Regina Hall is fantastic as the protective mother and bitter ex. Her scene in the bathroom of the restaurant towards the end of the movie is comic gold.

I’d recommend this movie for a hangover or just a chill night with bae. If you don’t have a bae that’s cool too, watch it with your brother who has a better social life than you and who probably feels bad for you, like I did. Happy memories.

3.5/5.

Trailer Watch

Point Blank

This remake of the 2010 French film of the same name stars Anthony Mackie and Frank Grillo. The pair played opposite each other in several films in the MCU as Hawkeye and Crossbones, respectively. Once again, they are two men on either side of the law but this time around they are forced to work together.
The trailer gives away pretty much all of the story anyways so I won’t even describe it, but it looks funny. With Grillo and Mackie involved, the action scenes are likely to be extravagant and brilliant. Out on the 12th of July on Netflix.

Annabelle Comes Home

Well, I positively almost pooped my pants watching that trailer. Enough said.
The Warrens are away for the weekend and the babysitters they put in charge of their daughter go into the ONE room they were told to stay out of; the room with all the freaky things they’ve kept over the years from different hauntings. Frankly, I have no sympathy for the babysitter who unleashed hell and hope to see her suffer. DON’T GO INTO THE HAUNTED ROOM WITH ALL THE HAUNTED SHIT!

Spiderman: Far From Home

If you haven’t watched Endgame yet then what are you doing with your life? But seriously, if you haven’t, don’t watch this trailer. Or read this part of the blog. Or read my review on the movie tomorrow. Or @ me.
Peter Parker is on vacation but trouble always follows. The fallout from Thanos’ snap is that there are now multiple universes, dimensions, worlds and people. Gylenhaal, the rugged bastard, is playing Mysterio, a traditional villain in the comics and games but an apparent ally in the trailer.
The beauty of Marvel is that their trailers can be misleading or reluctant to give away information. I’m looking forward to seeing this one!

I could tell ye that I’ll be back with a weekly Trailer Watch but who am I kidding? I WILL be back tomorrow with a review of Spiderman. The advantages of working in a cinema are free movies and early screenings. There are downsides but that’s for another post when I’m in another job. Have a good Monday, folks, beat those blues!

X-Men: Dark Phoenix

It is with a heavy heart that I must write my first terrible review. Up until now I’ve thought most movies were, at the very least, average. I’ve made excuses for how bad they were. I’ve solved plotholes and bad performances to justify the money I’ve spent on the film. That time has passed. Dark Phoenix has broken the mold, and broken my heart.

The latest installment in the X-Men franchise tells the story of how Jean Grey, played by Winterfell’s own Sophie Turner, becomes the powerful Phoenix. After a rescue mission turns sour, Jean absorbs what seems to be a solar flare and is perfectly fine..for about ten minutes. She subsequently proceeds to kill close friends, alienate all around her and become an intergalactic fugitive. Charles Xavier (James McEvoy), Magneto (Michael Fassbender), Blue Beast Man (Nicholas Hoult) and a host of other mutants try to save/kill/contain her in a movie that is not even saved by a fantastic action set piece aboard a train.

Problems

I must admit that I haven’t seen Days of Future Past, so I’m not entirely sure what was wiped out in this timeline. Pretty much everything, I’ve been told. I know that this movie is more truthful to the comics and that The Last Stand has been eradicated, thankfully. Although the aforementioned action scene was fantastic, the first hour and a half are so boring and predictable that it doesn’t really matter.
The X-Men go on a dangerous mission -> Someone nearly dies -> People get annoyed at Charles because he thinks he’s never wrong -> Jean can’t control her powers -> A mysterious villain tries to take over Earth -> A major American city is nearly decimated -> The X-Men and Magneto save the day -> Fin.

I was really looking forward to seeing Jessica Chastain. Ever since Crimson Peak and Molly’s Game she has been one of my favourite actors. It is a shame, then, that she shows no emotion in this movie and has about ten minutes screen time.

I feel like there’s always a scene involving somebody’s parents abandoning or disapproving of their child’s mutant powers in a cul de sac estate in an X-Men movie. Maybe it was only X-Men 2 but the police always get involved and get absolutely owned, not realising that pulling a gun on a powerful being who can control your fu***ng mind is a bad idea. Pulling a gun on any mutant is a bad idea. Wolverine took a bullet in the head, rejected it and kept on keepin’ on. Different timelines, I know, but come on. Don’t pull guns on superheroes and don’t @ me.

I’m like a broken record with this timelines shpiel but I honestly have no problems with it. Keep churning out X-Men movies and I will more than likely go see them. However, different timelines doesn’t mean different appearances I would imagine. So if this movie is set in 1992 and the first X-Men was released in 2000, that means Magneto and Professor X have eight years to go from handsome, charming young men in their forties to totally different looking but no less handsome and charming men in their late sixties.
And yes, you might say to me that it’s a film about mutants walking the Earth and co-existing with a species that can’t even co-exist with other humans of a different colour. And I might say to you that I told you to not @ me and that it makes no Gawd Dayum Sense.

Positives

Train scene. Many fighting and impressive CGI. Cian happy with violence.

Rating

Rotten Tomatoes: 20%

IMDB: 5.9/10

TheRathpeaconRambler: 4/10.

Happy Friday folks and have a good weekend. I’m off to Snow Patrol and Metallica. I haven’t listened to either band since I was 14 so I can’t wait to not know the words and get smashed.

Are Ya There Existential Crisis? It’s Me, Cian!

Different moods call for different movie genres. If you’re mourning a lost love then maybe a romcom isn’t for you at that moment in time. Perhaps a comedy might suffice. If you have a day off and no plans then maybe a thriller will keep you ticking over. There’s no problem with watching your favourite movies over and over again, but it’s also nice to explore your horizons. You never know what you will find on Netflix. It’s an endless trove of new and exciting features and series mixed with foreign language shows and old forgotten favourites. You can stumble upon  a new classic or waste an hour watching a terrible flick.  The one thing to be said for the streaming giant is that a lot of their originals are heartwarming and packed with life lessons.

Last week I received some discouraging news about a college course I was applying for. I took it on the chin at the time but didn’t really let it sink in. I thought, “I am man. I feel no pain.” I stayed true to that thought and for the next five or six days I didn’t really think about it other than the fact that I was pissed off it wasn’t the news I wanted.
Thanks to developing a cold over the weekend I lay in bed late and just watched movies all day, every day. This gave me a lot of time to think about life and what I was and wasn’t doing. Yesterday was the height of my man flu and consisted of comedies and conspiracy theories on YouTube. Today I was picking and choosing more carefully. I watched The Princess Bride, Fargo (1995), The Miami Showband Massacre and The Unicorn Store. The latter of these movies will be my main focus of this discussion. The discussion into my fragile manhood and my constant lack of direction. Warning! It’s gonna be a fun read ahead guys.

For context, I’m not happy with my weight and am gonna ship a good two stone of weight before my holiday to Croatia at the end of the summer. My abs will be the communal washing board for the villagers. My biceps will be the rocks upon which waves will break. Cannae wait.
I’m not bringing in any serious money. I came home from New York, leaving behind a well paying job because of a plan for a better future. That plan is in dissaray and now money is not my friend anymore.
Finally, despite years of hitting the beds after serious gym sessions with the lads, I’m still as ghostly white as the young fella Casper who was knocked down up by Whipstaff Manor there about twenty years ago. Awful tragedy that was.
So in conclusion, I am fat, poor and pale. Not the best combination but you can only play the card you’re dealt; or in this case, the cards you’ve repeatedly sought after again and again and again.

The Unicorn Store was a slap in the face for me. It is directed by Brie Larson and stars herself alongside Samuel L. Jackson and Joan Cusack. Larson plays Kit, a 20-something dreamer and creative type who has failed in her own dreams and so decides to make a go of it in the corporate world. Along the way she fights with her parents, deals with difficult co workers and bosses and loses herself a bit in her new pursuit.
There is a scene at the very start of the film when Kit, fresh from flunking out of art school, is flicking through the channels and hearing all about rejection and how she would be better off settling down. This affected me because I was lounging on the couch just like she was and listening to the same message. The only problem is that I haven’t really tried anything. I’ve difted from job to job and hand out to hand out, doing well at these jobs but yearning for something more despite not looking for that thing.
Another scene towards the end depicts Kit and her mother making up and apologising to each other, Cusack reassuring her onscreen daughter that she doesn’t think that she’s a disappointment. This resonated with me because I feel like I’ve been getting cabin fever at home lately and that my parents think that I’m a disappointment. I wouldn’t be surprised if they do, but it also stems back to that I haven’t failed at anything because I haven’t really tried anything.

There’s an open mic night in Cork City that I could go to every monday night that I just choose not to. I didn’t do anything creative in New York for two fucking years except for start this blog which gives me some sanity. I’ve contributed to a few college and online publications for three or four articles. As soon as I begin to realise I might enjoy putting my work out there consistently I just bail and leave it be. I don’t know what’s wrong with my creative side but hopefully this post will kick it into gear.

The ending of The Unicorn Store is positive. I haven’t revealed any actual spoilers because it inspired me to write this post and I thnk that everyone should go and watch it if they get a chance. It shows that you are allowed to have these periods of self doubt, as long as you still stay true to who you are inside. You are all unique and whatever you choose to do in life, do it your way and with passion.
To anybody who reads my blog, whether it be the movie reviews, the sports pieces or theses ones where I give out about myself for a while, thank you for even clicking on the post. It means a lot to me. Here’s to the future; to being an average weight, financially able to support myself and only myself, and pale.

Us – Movie Review

Jordan Peele’s latest horror offering is as mindbending and thrilling as Get Out. However, Us is its own film with its own ideas and impeccable twists and turns. After viewing this earlier tonight and searching twitter for user responses and funny gifs, I’ve decided that it is hard to pick a favourite between the two. There is a lot more going on in this instalment, sometimes to its detriment, but it is clear that it requires at least two viewings.

The film opens in 1986 with a young Adelaide (Madison Currey) walking the boardwalk of Santa Cruz with her father and mother. The parents bicker throughout and when her mother goes to the bathroom and her father ignores her, Adelaide walks down to the beach. She sees a mirror funhouse and enters. Inside, the lights shut off and after trying to find her way out she bumps into a doppelganger of herself. Adleaide begins to scream and the movie cuts to the present day.
Adelaide is now en route back to Santa Cruz with her husband and two children. The adult Adelaide (Lupita Nyong’o) does not want to revisit the boardwalk where she encountered that terrible horror all those years ago. Her husband Gabe (Winston Duke), obviously doesn’t share her fears. Gabe and the two kids, Zora (Shahadi Wright Joseph) and Jason (Evan Alex), are all wrapped up in their own material worlds, choosing image, technology and a mask instead of realising that their mother would rather be anywhere else. Adelaide’s fears come true when a strange family appear at the top of their drive. The doppelgangers have come and are out for blood. What follows is an hour and a bit of intense scares and breathless thrills.

It is another offering from Peele that blurs the lines between horror, psychological thriller and action. The film touches heavily on class divide and the segregation of people. The wealthy and lucky only need worry about their appearance and possessions in life while the doppelgangers, or tethered, only know that they are not worthy of such things and must suffer life down below. Themes such as faith, materialism and ethics are rife throughout. I would implore any viewer to take most of the dialogue very seriously. You don’t know what throwaway line, action or scene might rear its head later on.

Nyong’o steals the show as Adelaide and Red. While Wright Joseph is extremely impressive in her dual performance also, it is the Oscar winner known for her portrayal of Patsey in 12 Years a Slave that blows the audience away. She plays the terrified Adelaide so well while also portraying the deranged and vengeful Red with frightening reality.
As I said earlier, this movie is similar to Get Out in that the twists and turns are impeccable. Us is a proper headscratcher. I won’t give away any spoilers but I guarantee that by the end of the movie you’ll be walking around in your day to day life wondering whether your doppelganger will pop out at any second and take your place. You’ll also be thinking of every line that has been said in the film and linking it all together. The only problem is that just like Det. Kujan, you’ll be too late and Keyser Soze will have been off on his escape already.

Netflix Selection: After Life and Paddleton

Ricky Gervais has found himself, or put himself, in the news again talking about snowflakes and people getting easily offended. While I agree with him about people being a little too quick to jump the gun on what they think is offensive nowadays, he has been spouting the same stuff for well over a decade now. However, it is always good publicity when a new show comes out. Today I’ll be going over his new show After Life and the indie comedy Paddleton that he is not affiliated with.

After Life

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Gervais plays Tony, a miserable, suicidal man mourning the death of his wife. He has a penchant to say horrible things that pop into his head because, as he sees it, he’s going to be shaking off his mortal coil soon. He works at the local free paper and is nasty to his boss who happens to be his brother in law, and everyone else who crosses his path.

I liked the show. I enjoy Gervais, especially as David Brent and in his animated show from a few years ago with Stephen Merchant and Karl Pilkington. I appreciate that he is not everybody’s patronising cup of tea. He doesn’t do himself any favours with his constant harping on about offensive material, although i do agree, and the amount of fat jokes aren’t helping him with anyone.
All in all though, I’d recommend this show and would urge people to leave their sensitivity at the door. It is a tad bit predictable but that last episode is worth it.  It’s not for everyone, but the sweet moments are tearfully emotional and the jokes are  barbwire sharp.

Paddleton

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This indie buddy-comedy starring Ray Romano and Mark Duplass is another one that hits in the feels. Romano and Duplass are Andy and Michael, two socially awkward neighbours turned best friends. They hang out every night, watch Kung Fu movies, eat pizza and play a made up game derived from squash called Paddleton. Michael is diagnosed with an incurable form of cancer, sending the two on a roadtrip for a special kind of medication which lands the two in an emotional, funny and charming look into friendship and love.

As everybody knows I enjoy almost everything I watch. This was no different, although I wouldn’t say I was hooked. It is very slow and the hijinks the guys get up to on their trip are marred by their ineptitude at talking to women and people in general.
There are some poignant moments that are totes, dare I say, emosh, but I’d give it a skip. You won’t miss out if you miss this one.

I’ll be back Sunday with a Paddy’s Day post and/or Monday with more reviews/news and sports.

Netflix Selection: Umbrella Academy and Russian Doll.

The digital streaming behemoth has had a great start to the year. After producing some dubious figures and some questionable stats about the viewing figures of a number of shows, Netflix has come good again with a selection of Originals, their own personally funded and produced shows, and new additions from established artists.

The Umbrella Academy

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The first of these shows that I watched was Umbrella Academy. Revolving around a group of unwilling superheroes who were plucked from their mothers at birth by the eccentric and mean Sir Reginald Hargreeves, the story centres on the apocalypse and how life, or the end of all life, pulls you back to the ones you are closest with; in this case, your superhero brothers and sisters.

I really enjoyed this show. 10 episodes at 55 mins approx. each might seem like a lot but it flowed easily enough. There was a spot around episodes 6, 7 and 8 that dragged a bit but the end of the 8th episode and the final two installments are superb.
Robert Sheehan plays Klaus, one of the troubled supers, almost like a supercharged Nathan from Misfits. He is so effortlessly funny, flighty and camp while also developing as a character throughout the season. Although his accent doesn’t stay true the entire time, much like his role as Darren in Love/Hate, he still steals the show for me.
Aidan Gallagher as Number Five was also a joy to watch, as was Mary J. Blige as one part of a fiersome hitman team out to get Five. Colm Feore’s turn as the madcap billionaire was fun to watch in flashback scenes, even if you did feel for the neglected heroes.

I’d definitely recommend this show to most people and would urge you to power through the mid season lag.

Russian Doll

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Another show that deals with the marching of time and also the reset, is Russian Doll. Natasha Lyonne stars and produces in this show about Nadia, a thirty-something New Yorker who spends her nights drinking, smoking and doing whatever she wants. It is her birthday, and after going home with a smooth talker, she gets knocked down while running across the street for her cat. In the blink of an eye she is back up at her party the night before while all the other guests carry on as normal.
Nadia thinks she is on her own until she meets Alan in a hurtling elevator shaft before impending death. He reveals he has the same affliction; they both die and reset to the same point in their lives. The two go on to try and solve their problem, learning some dark truths about each other and themselves along the way.

Lyonne is fantastic as the witty, clever and self-sabotaging Nadia, still suffering from her mother’s abuses and struggling to see a happy ending. I haven’t watched OITNB but she is brilliant in this, playing the tough talking, streetwise New Yorker with ease.
Charlie Barnett plays Alan, Nadia’s unfortunate companion in their horrible situation. He is the polar opposite to Nadia; he is clean, rigid and sticks to a schedule. He is also hiding some mental health issues and refuses to face them, prompting both to wonder why they are in this mess. Barnett comes alive when he shows real emotion and both Lyonne and he work well together.
I enjoyed this show also, partly because it was set in New York and I got to live vicariously through the characters and remember my time there. A word of warning, though, is that the show gets incredibly dark in the last three episodes. The show is not for everyone.

Tomorrow I will review Ricky Gervais’ After Life and the indie buddy-comedy Paddleton, starring Ray Romano and Mark Duplass.

 

 

 

Captain Marvel

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The newest installment in the Marvel Cinematic Universe hit our screens last Friday. Excitement surrounding the Avengers storyline has been high over the last number of years and with Endgame being released next month I wasn’t so sure that this was a necessary movie to release right now. I’m pleased to say that I was completely wrong.
The Marvel films are always enjoyable to watch, mixing action and humour effortlessly. Pithy one liners are a constant and the final face off between the goodies and the baddies are worth the two hour build up. Captain Marvel had all of these in droves while also putting a new spin on some aspects of the filmmaking process.

Captain Marvel tells the story of Vers (pronounced Veers), played by Brie Larson, a Kree soldier being trained to defeat a race called the Skrull, shapeshifters, in an intergalactic war. She has gaps in her memory and can’t remember her life before a Skrull attack six years ago. When she is captured by these shapeshifters and they reveal more about her past she follows them to C-53, Terra, or good old Earth. She meets two young agents, Fury and Coulson and begins to learn her true identity as the first hero of the galaxy.

All in all, I thought the movie was very good. It wan’t as funny as Thor: Ragnarok but was definitely funnier than most of the other films in the MCU. After talking to my friend about the movie, we agreed that if Captain Marvel is to save Tony from almost certain death in space then we cannot wait for the riposte and the banter between the two.
A big part of the movie I liked is that it set a good pace for the story. Due to the fact that Vers has no memory before six years ago and is already imbued with awesome powers we skip the hour/hour and a half of build up and figuring out who she is and who she can become. While this does in fact happen later in the movie, Vers already has her powers, knows how to use them and just gets on with it!
The soundtrack is also perfect. The movie is set in 1995, so the songs chosen are a mixture of Rock, Grunge and Pop/RnB. What a mixture! There is an epic scene between Larson and Anette Bening where Nirvana’s “Come as You Are”, plays. The title of the song is poignant in that moment in the film but it also just fits so well with what is happening on the screen.

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Larson is fantastic as Vers. She plays the soldier/piolet/saviour with confidence and is at ease with other big names such as Jude Law, Samuel L. Jackson and Bening. She has won an oscar after all!
Samuel L. Jackson, CGI’d to be twenty years younger in this movie and with both of his eyes, is a scene stealer as always. He and Larson bounce off each other and the characters are like old friends at the end of the movie.
Ben Mendelsohn plays one of the villains of the piece, Talos, a Skrull captain. Although their ability to shapeshift is unnerving and their appearance is undesirable, Mendelsohn is hilarious in this movie. I do have a friend who shall reMuireann nameless who found the Skrull’s attractive. In case anyone wanted to know.

I have read a lot of mixed reviews about this chapter of the MCU. Many, like I did origibnally, thought it was unneccessary and would be forgettable. I only went to see the post credit scene which ironically wasn’t worth staying for, but I’m glad I went.
Reviews I have read since have said it is forgettable and that she isn’t a likeable hero. I respectfully disagree on that count as like all Marvel movies, she has serious help from those around her. The difference is that in the end, she realises her true potential and is powerful enough to do whatever she wants.

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This film is an empowering movie for women without claiming to be one. Anna Boden directed this alongside Ryan Fleck, while Boden, Fleck and three other women wrote the screenplay and the story. Pinar Toprak composed the score, making this Marvel’s first ever film composed by a female. These real life women alongside the fictional powerful female characters in this story make this a film worth watching.