X-Men: Dark Phoenix

It is with a heavy heart that I must write my first terrible review. Up until now I’ve thought most movies were, at the very least, average. I’ve made excuses for how bad they were. I’ve solved plotholes and bad performances to justify the money I’ve spent on the film. That time has passed. Dark Phoenix has broken the mold, and broken my heart.

The latest installment in the X-Men franchise tells the story of how Jean Grey, played by Winterfell’s own Sophie Turner, becomes the powerful Phoenix. After a rescue mission turns sour, Jean absorbs what seems to be a solar flare and is perfectly fine..for about ten minutes. She subsequently proceeds to kill close friends, alienate all around her and become an intergalactic fugitive. Charles Xavier (James McEvoy), Magneto (Michael Fassbender), Blue Beast Man (Nicholas Hoult) and a host of other mutants try to save/kill/contain her in a movie that is not even saved by a fantastic action set piece aboard a train.

Problems

I must admit that I haven’t seen Days of Future Past, so I’m not entirely sure what was wiped out in this timeline. Pretty much everything, I’ve been told. I know that this movie is more truthful to the comics and that The Last Stand has been eradicated, thankfully. Although the aforementioned action scene was fantastic, the first hour and a half are so boring and predictable that it doesn’t really matter.
The X-Men go on a dangerous mission -> Someone nearly dies -> People get annoyed at Charles because he thinks he’s never wrong -> Jean can’t control her powers -> A mysterious villain tries to take over Earth -> A major American city is nearly decimated -> The X-Men and Magneto save the day -> Fin.

I was really looking forward to seeing Jessica Chastain. Ever since Crimson Peak and Molly’s Game she has been one of my favourite actors. It is a shame, then, that she shows no emotion in this movie and has about ten minutes screen time.

I feel like there’s always a scene involving somebody’s parents abandoning or disapproving of their child’s mutant powers in a cul de sac estate in an X-Men movie. Maybe it was only X-Men 2 but the police always get involved and get absolutely owned, not realising that pulling a gun on a powerful being who can control your fu***ng mind is a bad idea. Pulling a gun on any mutant is a bad idea. Wolverine took a bullet in the head, rejected it and kept on keepin’ on. Different timelines, I know, but come on. Don’t pull guns on superheroes and don’t @ me.

I’m like a broken record with this timelines shpiel but I honestly have no problems with it. Keep churning out X-Men movies and I will more than likely go see them. However, different timelines doesn’t mean different appearances I would imagine. So if this movie is set in 1992 and the first X-Men was released in 2000, that means Magneto and Professor X have eight years to go from handsome, charming young men in their forties to totally different looking but no less handsome and charming men in their late sixties.
And yes, you might say to me that it’s a film about mutants walking the Earth and co-existing with a species that can’t even co-exist with other humans of a different colour. And I might say to you that I told you to not @ me and that it makes no Gawd Dayum Sense.

Positives

Train scene. Many fighting and impressive CGI. Cian happy with violence.

Rating

Rotten Tomatoes: 20%

IMDB: 5.9/10

TheRathpeaconRambler: 4/10.

Happy Friday folks and have a good weekend. I’m off to Snow Patrol and Metallica. I haven’t listened to either band since I was 14 so I can’t wait to not know the words and get smashed.

Are Ya There Existential Crisis? It’s Me, Cian!

Different moods call for different movie genres. If you’re mourning a lost love then maybe a romcom isn’t for you at that moment in time. Perhaps a comedy might suffice. If you have a day off and no plans then maybe a thriller will keep you ticking over. There’s no problem with watching your favourite movies over and over again, but it’s also nice to explore your horizons. You never know what you will find on Netflix. It’s an endless trove of new and exciting features and series mixed with foreign language shows and old forgotten favourites. You can stumble upon  a new classic or waste an hour watching a terrible flick.  The one thing to be said for the streaming giant is that a lot of their originals are heartwarming and packed with life lessons.

Last week I received some discouraging news about a college course I was applying for. I took it on the chin at the time but didn’t really let it sink in. I thought, “I am man. I feel no pain.” I stayed true to that thought and for the next five or six days I didn’t really think about it other than the fact that I was pissed off it wasn’t the news I wanted.
Thanks to developing a cold over the weekend I lay in bed late and just watched movies all day, every day. This gave me a lot of time to think about life and what I was and wasn’t doing. Yesterday was the height of my man flu and consisted of comedies and conspiracy theories on YouTube. Today I was picking and choosing more carefully. I watched The Princess Bride, Fargo (1995), The Miami Showband Massacre and The Unicorn Store. The latter of these movies will be my main focus of this discussion. The discussion into my fragile manhood and my constant lack of direction. Warning! It’s gonna be a fun read ahead guys.

For context, I’m not happy with my weight and am gonna ship a good two stone of weight before my holiday to Croatia at the end of the summer. My abs will be the communal washing board for the villagers. My biceps will be the rocks upon which waves will break. Cannae wait.
I’m not bringing in any serious money. I came home from New York, leaving behind a well paying job because of a plan for a better future. That plan is in dissaray and now money is not my friend anymore.
Finally, despite years of hitting the beds after serious gym sessions with the lads, I’m still as ghostly white as the young fella Casper who was knocked down up by Whipstaff Manor there about twenty years ago. Awful tragedy that was.
So in conclusion, I am fat, poor and pale. Not the best combination but you can only play the card you’re dealt; or in this case, the cards you’ve repeatedly sought after again and again and again.

The Unicorn Store was a slap in the face for me. It is directed by Brie Larson and stars herself alongside Samuel L. Jackson and Joan Cusack. Larson plays Kit, a 20-something dreamer and creative type who has failed in her own dreams and so decides to make a go of it in the corporate world. Along the way she fights with her parents, deals with difficult co workers and bosses and loses herself a bit in her new pursuit.
There is a scene at the very start of the film when Kit, fresh from flunking out of art school, is flicking through the channels and hearing all about rejection and how she would be better off settling down. This affected me because I was lounging on the couch just like she was and listening to the same message. The only problem is that I haven’t really tried anything. I’ve difted from job to job and hand out to hand out, doing well at these jobs but yearning for something more despite not looking for that thing.
Another scene towards the end depicts Kit and her mother making up and apologising to each other, Cusack reassuring her onscreen daughter that she doesn’t think that she’s a disappointment. This resonated with me because I feel like I’ve been getting cabin fever at home lately and that my parents think that I’m a disappointment. I wouldn’t be surprised if they do, but it also stems back to that I haven’t failed at anything because I haven’t really tried anything.

There’s an open mic night in Cork City that I could go to every monday night that I just choose not to. I didn’t do anything creative in New York for two fucking years except for start this blog which gives me some sanity. I’ve contributed to a few college and online publications for three or four articles. As soon as I begin to realise I might enjoy putting my work out there consistently I just bail and leave it be. I don’t know what’s wrong with my creative side but hopefully this post will kick it into gear.

The ending of The Unicorn Store is positive. I haven’t revealed any actual spoilers because it inspired me to write this post and I thnk that everyone should go and watch it if they get a chance. It shows that you are allowed to have these periods of self doubt, as long as you still stay true to who you are inside. You are all unique and whatever you choose to do in life, do it your way and with passion.
To anybody who reads my blog, whether it be the movie reviews, the sports pieces or theses ones where I give out about myself for a while, thank you for even clicking on the post. It means a lot to me. Here’s to the future; to being an average weight, financially able to support myself and only myself, and pale.

Us – Movie Review

Jordan Peele’s latest horror offering is as mindbending and thrilling as Get Out. However, Us is its own film with its own ideas and impeccable twists and turns. After viewing this earlier tonight and searching twitter for user responses and funny gifs, I’ve decided that it is hard to pick a favourite between the two. There is a lot more going on in this instalment, sometimes to its detriment, but it is clear that it requires at least two viewings.

The film opens in 1986 with a young Adelaide (Madison Currey) walking the boardwalk of Santa Cruz with her father and mother. The parents bicker throughout and when her mother goes to the bathroom and her father ignores her, Adelaide walks down to the beach. She sees a mirror funhouse and enters. Inside, the lights shut off and after trying to find her way out she bumps into a doppelganger of herself. Adleaide begins to scream and the movie cuts to the present day.
Adelaide is now en route back to Santa Cruz with her husband and two children. The adult Adelaide (Lupita Nyong’o) does not want to revisit the boardwalk where she encountered that terrible horror all those years ago. Her husband Gabe (Winston Duke), obviously doesn’t share her fears. Gabe and the two kids, Zora (Shahadi Wright Joseph) and Jason (Evan Alex), are all wrapped up in their own material worlds, choosing image, technology and a mask instead of realising that their mother would rather be anywhere else. Adelaide’s fears come true when a strange family appear at the top of their drive. The doppelgangers have come and are out for blood. What follows is an hour and a bit of intense scares and breathless thrills.

It is another offering from Peele that blurs the lines between horror, psychological thriller and action. The film touches heavily on class divide and the segregation of people. The wealthy and lucky only need worry about their appearance and possessions in life while the doppelgangers, or tethered, only know that they are not worthy of such things and must suffer life down below. Themes such as faith, materialism and ethics are rife throughout. I would implore any viewer to take most of the dialogue very seriously. You don’t know what throwaway line, action or scene might rear its head later on.

Nyong’o steals the show as Adelaide and Red. While Wright Joseph is extremely impressive in her dual performance also, it is the Oscar winner known for her portrayal of Patsey in 12 Years a Slave that blows the audience away. She plays the terrified Adelaide so well while also portraying the deranged and vengeful Red with frightening reality.
As I said earlier, this movie is similar to Get Out in that the twists and turns are impeccable. Us is a proper headscratcher. I won’t give away any spoilers but I guarantee that by the end of the movie you’ll be walking around in your day to day life wondering whether your doppelganger will pop out at any second and take your place. You’ll also be thinking of every line that has been said in the film and linking it all together. The only problem is that just like Det. Kujan, you’ll be too late and Keyser Soze will have been off on his escape already.

Netflix Selection: After Life and Paddleton

Ricky Gervais has found himself, or put himself, in the news again talking about snowflakes and people getting easily offended. While I agree with him about people being a little too quick to jump the gun on what they think is offensive nowadays, he has been spouting the same stuff for well over a decade now. However, it is always good publicity when a new show comes out. Today I’ll be going over his new show After Life and the indie comedy Paddleton that he is not affiliated with.

After Life

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Gervais plays Tony, a miserable, suicidal man mourning the death of his wife. He has a penchant to say horrible things that pop into his head because, as he sees it, he’s going to be shaking off his mortal coil soon. He works at the local free paper and is nasty to his boss who happens to be his brother in law, and everyone else who crosses his path.

I liked the show. I enjoy Gervais, especially as David Brent and in his animated show from a few years ago with Stephen Merchant and Karl Pilkington. I appreciate that he is not everybody’s patronising cup of tea. He doesn’t do himself any favours with his constant harping on about offensive material, although i do agree, and the amount of fat jokes aren’t helping him with anyone.
All in all though, I’d recommend this show and would urge people to leave their sensitivity at the door. It is a tad bit predictable but that last episode is worth it.  It’s not for everyone, but the sweet moments are tearfully emotional and the jokes are  barbwire sharp.

Paddleton

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This indie buddy-comedy starring Ray Romano and Mark Duplass is another one that hits in the feels. Romano and Duplass are Andy and Michael, two socially awkward neighbours turned best friends. They hang out every night, watch Kung Fu movies, eat pizza and play a made up game derived from squash called Paddleton. Michael is diagnosed with an incurable form of cancer, sending the two on a roadtrip for a special kind of medication which lands the two in an emotional, funny and charming look into friendship and love.

As everybody knows I enjoy almost everything I watch. This was no different, although I wouldn’t say I was hooked. It is very slow and the hijinks the guys get up to on their trip are marred by their ineptitude at talking to women and people in general.
There are some poignant moments that are totes, dare I say, emosh, but I’d give it a skip. You won’t miss out if you miss this one.

I’ll be back Sunday with a Paddy’s Day post and/or Monday with more reviews/news and sports.

Netflix Selection: Umbrella Academy and Russian Doll.

The digital streaming behemoth has had a great start to the year. After producing some dubious figures and some questionable stats about the viewing figures of a number of shows, Netflix has come good again with a selection of Originals, their own personally funded and produced shows, and new additions from established artists.

The Umbrella Academy

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The first of these shows that I watched was Umbrella Academy. Revolving around a group of unwilling superheroes who were plucked from their mothers at birth by the eccentric and mean Sir Reginald Hargreeves, the story centres on the apocalypse and how life, or the end of all life, pulls you back to the ones you are closest with; in this case, your superhero brothers and sisters.

I really enjoyed this show. 10 episodes at 55 mins approx. each might seem like a lot but it flowed easily enough. There was a spot around episodes 6, 7 and 8 that dragged a bit but the end of the 8th episode and the final two installments are superb.
Robert Sheehan plays Klaus, one of the troubled supers, almost like a supercharged Nathan from Misfits. He is so effortlessly funny, flighty and camp while also developing as a character throughout the season. Although his accent doesn’t stay true the entire time, much like his role as Darren in Love/Hate, he still steals the show for me.
Aidan Gallagher as Number Five was also a joy to watch, as was Mary J. Blige as one part of a fiersome hitman team out to get Five. Colm Feore’s turn as the madcap billionaire was fun to watch in flashback scenes, even if you did feel for the neglected heroes.

I’d definitely recommend this show to most people and would urge you to power through the mid season lag.

Russian Doll

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Another show that deals with the marching of time and also the reset, is Russian Doll. Natasha Lyonne stars and produces in this show about Nadia, a thirty-something New Yorker who spends her nights drinking, smoking and doing whatever she wants. It is her birthday, and after going home with a smooth talker, she gets knocked down while running across the street for her cat. In the blink of an eye she is back up at her party the night before while all the other guests carry on as normal.
Nadia thinks she is on her own until she meets Alan in a hurtling elevator shaft before impending death. He reveals he has the same affliction; they both die and reset to the same point in their lives. The two go on to try and solve their problem, learning some dark truths about each other and themselves along the way.

Lyonne is fantastic as the witty, clever and self-sabotaging Nadia, still suffering from her mother’s abuses and struggling to see a happy ending. I haven’t watched OITNB but she is brilliant in this, playing the tough talking, streetwise New Yorker with ease.
Charlie Barnett plays Alan, Nadia’s unfortunate companion in their horrible situation. He is the polar opposite to Nadia; he is clean, rigid and sticks to a schedule. He is also hiding some mental health issues and refuses to face them, prompting both to wonder why they are in this mess. Barnett comes alive when he shows real emotion and both Lyonne and he work well together.
I enjoyed this show also, partly because it was set in New York and I got to live vicariously through the characters and remember my time there. A word of warning, though, is that the show gets incredibly dark in the last three episodes. The show is not for everyone.

Tomorrow I will review Ricky Gervais’ After Life and the indie buddy-comedy Paddleton, starring Ray Romano and Mark Duplass.

 

 

 

Captain Marvel

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The newest installment in the Marvel Cinematic Universe hit our screens last Friday. Excitement surrounding the Avengers storyline has been high over the last number of years and with Endgame being released next month I wasn’t so sure that this was a necessary movie to release right now. I’m pleased to say that I was completely wrong.
The Marvel films are always enjoyable to watch, mixing action and humour effortlessly. Pithy one liners are a constant and the final face off between the goodies and the baddies are worth the two hour build up. Captain Marvel had all of these in droves while also putting a new spin on some aspects of the filmmaking process.

Captain Marvel tells the story of Vers (pronounced Veers), played by Brie Larson, a Kree soldier being trained to defeat a race called the Skrull, shapeshifters, in an intergalactic war. She has gaps in her memory and can’t remember her life before a Skrull attack six years ago. When she is captured by these shapeshifters and they reveal more about her past she follows them to C-53, Terra, or good old Earth. She meets two young agents, Fury and Coulson and begins to learn her true identity as the first hero of the galaxy.

All in all, I thought the movie was very good. It wan’t as funny as Thor: Ragnarok but was definitely funnier than most of the other films in the MCU. After talking to my friend about the movie, we agreed that if Captain Marvel is to save Tony from almost certain death in space then we cannot wait for the riposte and the banter between the two.
A big part of the movie I liked is that it set a good pace for the story. Due to the fact that Vers has no memory before six years ago and is already imbued with awesome powers we skip the hour/hour and a half of build up and figuring out who she is and who she can become. While this does in fact happen later in the movie, Vers already has her powers, knows how to use them and just gets on with it!
The soundtrack is also perfect. The movie is set in 1995, so the songs chosen are a mixture of Rock, Grunge and Pop/RnB. What a mixture! There is an epic scene between Larson and Anette Bening where Nirvana’s “Come as You Are”, plays. The title of the song is poignant in that moment in the film but it also just fits so well with what is happening on the screen.

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Larson is fantastic as Vers. She plays the soldier/piolet/saviour with confidence and is at ease with other big names such as Jude Law, Samuel L. Jackson and Bening. She has won an oscar after all!
Samuel L. Jackson, CGI’d to be twenty years younger in this movie and with both of his eyes, is a scene stealer as always. He and Larson bounce off each other and the characters are like old friends at the end of the movie.
Ben Mendelsohn plays one of the villains of the piece, Talos, a Skrull captain. Although their ability to shapeshift is unnerving and their appearance is undesirable, Mendelsohn is hilarious in this movie. I do have a friend who shall reMuireann nameless who found the Skrull’s attractive. In case anyone wanted to know.

I have read a lot of mixed reviews about this chapter of the MCU. Many, like I did origibnally, thought it was unneccessary and would be forgettable. I only went to see the post credit scene which ironically wasn’t worth staying for, but I’m glad I went.
Reviews I have read since have said it is forgettable and that she isn’t a likeable hero. I respectfully disagree on that count as like all Marvel movies, she has serious help from those around her. The difference is that in the end, she realises her true potential and is powerful enough to do whatever she wants.

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This film is an empowering movie for women without claiming to be one. Anna Boden directed this alongside Ryan Fleck, while Boden, Fleck and three other women wrote the screenplay and the story. Pinar Toprak composed the score, making this Marvel’s first ever film composed by a female. These real life women alongside the fictional powerful female characters in this story make this a film worth watching.

 

Fright Night

As I sit here with the brim of my hat as far down as it can possibly go, The Conjuring 2 playing on the TV in front of me, I have come to the conclusion that if a demon were to appear in front of me unannounced I would simply die of shock and probably defecate in my pants. I am no hero. If I saw a ghost or a banshee out late at night I’d run as fast as I could and I would never look back. There’s a real possibility that I would collapse dead from fright.
I saw Conjuring 2 with a friend and I covered my eyes while he covered his ears. We were one monkey short covering his mouth and we would’ve been on a poster. I just don’t like horrors and never have. I won’t lie and say that the adrenaline rush isn’t fun and there is a thrill from yelling and screaming every few minutes. What I don’t like is walking around a dark house late at night after having the bejaysus scared out of me. I don’t like walking by mirrors and thinking I am going to be snatched by a nun or an old lady out for my soul. I especially don’t like sprinting up the stairs in the dark as a demon tries to snatch my delicious booty.
Of course, then, I’ve seen countless horrors. Here are some of my favourite/hated horror movies I’ve seen.

Insidious

I know there’s like 4 of these movies now but I’ve only watched the first one. The simple reason being that the kid who gets taken into the shadowland or whatever realm he is in is named Dalton. Feck right off with that! Are ye trying to give a man nightmares for the rest of his life??
There are some supremely scary scenes in this film but the one that got me was the very end when all is revealed and the demon trying to catch Patrick Wilson’s soul or whatever it was after almost has him. Give it a watch if ye get a chance.

 

The Woman in Black

Horrors are great movies to bring girls to, in my humble opinion. I rented this from Xtra Vision back in the days when I had stable relationships with females and this film is creepy as f word. I haven’t rewatched it because I am a giant man child and as I said before, I hate horrors but this one is worth at least one look.

 

Crimson Peak
Another date, another horror movie. Jaysus, I’m such a lothario. Set in a Victorian England, Mia Wasikowska, Jessica Chastain, Tom Hiddleston and Charlie Hunnam lead an all star cast. Gore, jumps and a house that hunts you down are all you need. Not as scary as the others on this list but torrent it online or something. Don’t @ me.

 

Paranormal Activity 3
The Paranormal Activity movies brought the found footage genre back into the limelight. The first two were remarkable, although a bit funny at times. The scene in the second movie when the mother runs away from the demon only to be pulled back downstairs by her legs is downright hilaruous. However, there is nothing funny about the scene with the coven of grandmothers advancing towards the man with the camera towards the end of the movie. Anyone who has seen it will know what scene I’m on about and anyone who hasn’t seen it will also know because I’ve just described it perfectly. Journalism.

 

In Irish horror film news, the film The Hole in the Ground will be released in a few weeks. Seana Kerslake stars as a single mother in a new rural town who encounters a mysterious neighbour. She becomes paranoid and mistrustful and must also contend with her son who is becoming increasingly ominous and disturbed. There ya go, straight from IMDb.
Kerslake is well known on Irish television through her starring roles in A Date for Mad Mary and Can’t Cope, Won’t Cope. The latter is written by the fantastic Stefanie Preissner.
I don’t know anything about the director, Lee Cronin but if the hype and the trailer are anything to go by he has done an amazing job and will be a major figure in mainstream Irish cinema for years to come.
Check out the trailer and an interview with both Kerslake and Cronin below.

 

 

 

Can You Ever Forgive Me? Review.

 

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“Back once again.” The reviews are back! Ger Canning has uttered this iconic phrase in countless G.A.A. matches broadcast on live television over the last number of decades. I reached out to him to ask would he record it for me so I could have it playing whenever someone opened an article of mine. Ger, ever the joker, replied via his family, agent and the Gardai, and said, “For the last time, leave me and my family alone. I rue the day I stopped and talked to you in Tesco in Mahon Point. Legal action will follow unless you stop cold calling me in the middle of the night. I don’t know how you got my house number. I am a human being and you are driving me insane. May God have mercy on your soul.” Ah Ger, what a chancer. If you’re reading this, I’ll get onto you later around 2 a.m. Keep the phone on!

Now, onto serious stuff. The movie Can You Ever Forgive Me? caught my eye due to the many nominations the cast received across multiple academies and committees. Also, it was the only thing that I knew would be quiet at my local cinema, the Reel Picture Blackpool ( hashtag ad). I knew it wasn’t a comedy but with Melissa McCarthy leading and Richard E. Grant in a prominent supporting role I had a feeling there would be some comic moments.

McCarthy plays Lee Israel, a down on her luck author who has just lost her job for drunken behaviour, has a fraught relationship with her agent and is months behind on her rent. Israel does not have any redeemable qualities that we can see and is told by her agent that she, “…is not famous enough to be an asshole.” She has a sick cat that she cannot afford to take care of and the biographies that she is writing to stay afloat are on the sale rack. After selling a letter of a famous author toa bookshop owner played by Dolly Wells, she quickly realises that she could make a hefty profit by forging letters of other well known figures. She has made a living writing books about other people so she knows she can impersonate them in her letters.
She meets Jack Hock, played by Grant, at a bar in Manhattan, remembering when she first met him and he went to the bathroom in a closet (hashtag Jonny Melia, hashtag ad). Hock is hilarious, flamboyant and the perfect positive tonic to Israel’s cynicism and misery. After letting him in on her secret cash cow and after duping half of Manhattan’s bookshops and collectible dealers into believing her ruse, she and Hock come under the suspicion of the FBI. Sabotaging her rathionship with Anna, the bookshop owner and Hock himself, Israel is finally caught and sentenced to house arrest, probation and monetary restitution.
The movie ends with Israel and Hock reuniting in the same grimy bar they met in. They bury the hatchet and he agrees to let her write a book about their escapades, ever his funny, charming self. This never happened in real life but it was a good end to a fine movie.

The movie itself is enjoyable if a bit slow. The topic of literary forgery does not sound all that interesting but the revelations that there are seedy characters in the literary world such as Israel herself, made it an easy watch. The fact that the FBI were involved in her subpoena was amazing to learn. The dynamic between McCarthy and Grant was brilliant and really saved the movie from being a bore. That said, it dragged towards the end and I did find myself looking at the clock on my phone. While I know that with a film such as this the devil is in the details but if the movie was about fifteen minutes shorter then it would’ve been a small bit more enjoyable.
I couldn’t think of anyone that I would recommend the movie to after watching, but it wasn’t a total waste of an hour and forty minutes. If I was to give it a rating out of a number that I will make up right now, I would give it a 3.5/5. Some funny moments but I’m not sure if this book warranted a movie. That said, the performances of McCarthy and Grant saved this production and both, especially McCarthy, deserve their nominations.

 

My movies of 2019

Happy New Year, one and all! A number of people online, as well as publications, have released their favourite movies of 2018 online. I was very tempted to steer away from any creative ideas of my own and just hop on the bandwagon. In the end, I decided to just leave a little list of what my favourite movies were of this year and then start talking about what’s coming up in 2019. Usually I’d have some witty little anecdote or fictional story here but I’ve just told you what I’m going to write so I might as well just do it. Yeah. Read on, I guess.

Top Movies of 2018 – M’List (tips fedora)

  • Molly’s Game – I was sent this by a resident in the building. Impressive leading cast with Jessica Chastain supported by Idris Elba and Michael Cera. It’s about Molly, an Olympic skier who, following an injury, naturally becomes a poker Queenpin and rakes in millions from her underground games. Of course she is then targeted by the law, the mob and disgruntled celebrities because of her money and, more than likely, gender. 4/5.
  • Black 47 – I wrote a review of this in an earlier blog but the Irish famine inspired tale of the deserter soldier who returns home and exacts his own war of vengeance on the British would send any man into a patriotic frenzy. Luckily I was on my own in the cinema and the adrenaline died down after the credits. 4.5/5.
  • A Star is Born – A friend and I watched this again last week in a hungover stupor and both were fairly emotional after it. The film holds up the second time around, as do the songs, both lead actor’s performances, and the intense hatred I felt for Allie’s agent when he practically kills Jack. Prick. 4/5.
  • Bohemian Rhapsody – I also wrote a review of this in an earlier blog. I loved this movie. A lot of people gave it crap reviews because of the gaps in the history of the band or the lack of context and background info about certain incidents. For me, it was brilliant. Rami Malek was Freddie Mercury, and the supporting cast were fantastic too. It helps if you love Queen but the movie is solid. The last 20 minutes in Wembley are sublime. 4.5/5.
  • Eighth Grade – Another one I covered, Bo Burnham’s directorial debut was perfect. Telling the story of awkward 13/14 year old Ellie, it encapsulates what it was like to be that age again; awkwardness of crushes, being invited or not being invited to parties and trying to ‘fit in’. Despite being set in the modern day, I think that anybody who watches this movie would cringe at their past selves, but also really enjoy the movie. 5/5.

 

What to look out for in 2019

2019 is going to be the year of sequels and spinoffs with the odd remake thrown in for good measure. Toy Story 4, Men in Black: International, How to Train Your Dragon: Hidden World, Star Wars Episode IX and Hobbs and Shaw are just some of the titles of instalments in film franchises over the next 12 months. On top of that, Hellboy is getting remade, as is Dumbo and The Lion King, albeit in live action form. I will watch all of these and probably enjoy all of these, but it is just the way cinema has gone. Although there are a few other films I’ll be looking forward to see.

Us will be Jordan Peele’s second horror offering. His film Get Out was hailed as a masterpiece and rightfully so. It is a magnificent film that combines the thriller and horror genres. Jordan rose to fame with Mad TV and the Key and Peele show. The horror stuff came fairly out of left field for me but thankfully so as he’s killing it. The trailer for Us looks intense and will be a must for most cinemagoers this year.

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There is no trailer yet for The Irishman, Scorcese’s gangster epic starring Robert DeNiro, Al Pacino, Joe Pesci, Bobby Cannavale and Ray Romano. This film marks the 9th time Scorcese and DeNiro have worked together and the first time that Pacino and the great director have done so. It tells the story of Jimmy Hoffa (Pacino) and his bodyguard ‘The Irishman’ Sheeran (DeNiro), and the latter’s involvement in the gangster’s assassination. I can’t wait to see it, as Netlfix reportedly bought the rights for $105 million, and the budget has risen to $175 million. It’ll be epic, and hopefully it gets released in cinemas too, as that would be worth the whole year.

I know I was harping on earlier about sequels and spinoffs and yes, this film is a sequel and also a collaborative film between several different stand alone characters in the same universe (that sentence is confusing and should annoy anyone who reads it), BUT, and it’s a big but and it cannot lie, we have all been following this journey since Ironman (2008). We’ve gone through all the Thor movies, the Captain America movies, the Spiderman reboot III, the Avengers movies, the Guardians movies, AntMan and we’ve arrived at Avengers: Endgame. What a time to be alive! Following this I expect there will be a reboot in the casting of the titular heroes so this one will be very special.

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There’s also no trailer for Once Upon A Time in Hollywood, Quentin Tarrantino’s latest epic, starring Brad Pitt and Leonardo DiCaprio. Margot Robbie also features alongside Al Pacino and a host of other stars. I’m not entirely sure what the plot of this movie is but if it has Pitt, DiCaprio and Robbie in it then I don’t care.

Finally, Glass, the third instalment in this sort of anti-superhero trilogy, looks very good. Jackson and Willis reprise their original roles of Mr. Glass and Mr. Unbreakable, respectively, while the supremely talented McAvoy returns as the Beast. Or Patricia. Depends on his mood.The trailer looks class without giving too much away, and it also has Sarah Paulson and I’m in love with her so it’s already great!

Apologies for the lengthy post but hopefully you’ll see some of these movies also in 2019. I also am looking forward to Captain Marvel because I love Brie Larson too but Sarah Paulson’s OK with it so we’re all good.

Angela’s Christmas

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This 30-minute wonder of a film is on U.S. Netflix and is perfect for small kids, parents (the 1st time), and people who work the night shift. Now, if you’re not a kid, not my cousin Bridget who has been forced to watch it hundreds of times by her two-year old, or me on the nightshift, maybe you won’t want to give it a chance. But I promise you, it is only half an hour and a nice story with only a small dash of sadness and death. Just like any other Irish film!

Angela’s Christmas, based on the novel ‘Angela and the Baby Jesus’, by Frank McCourt, is a beautiful little tale about Angela, of course, and the adventure she gets up to on Christmas Eve night.
Angela, her two brothers, younger sister and mother are heading to Christmas Eve mass, and Angela is holding them up while getting ready. Her older brother Patrick is complaining about her and incessantly whinging. Straight away, we see that Patrick is suffering from middle-child syndrome and just unlikeable. Ugh, I wanted to punch the screen. Feck off Patrick, the movie’s called Angela’s Christmas, not Patrick’s Day.
On the way to the church Patrick and Angela bicker back and forth, with Patrick maintaining his annoying personality. After finally sitting down, Angela realises that the baby Jesus in the manger does not have a blanket or a jacket on. Being five, she doesn’t realise that he is a statue and he therefore cannot feel the cold. She formulates a plan, and when her family leave mass to return home, she steals the baby Jesus so she can keep him warm.
On her own way home, Angela bumps into a blind, one-legged beggar, a kind policeman and a bar full of elderly drunks. Once in the door, she tucks the baba into bed and sings ‘Angela’s Song’, a lovely little lullaby. Unfortunately, Patrick the prized pr*ck rats her out, and she fears she may be in trouble. Thankfully, her mother, instead of getting annoyed and punishing Angela, tells the story of Angela’s birth, and how important it is to be together as a family at Christmas. Angela, apparently being able to understand subtext at 5 years old, knows she must bring the baby Jesus back to the manger.

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The whole family set off to return the statue, the world not seeming so scary for Angela on her own anymore. Despite returning 8 pound 6 oz, newborn infant Jesus, don’t even know a word yet, but still omnipotent, baby Jesus, the family are caught by the priest. He calls a guard over to throw the thief in jail but, lo and behold, it is the same guard from earlier! He shows more kindness and lets them free to be together on Christmas Eve.

A truly heartwarming tale, I was shocked to find out that some people wrote to me and said that there is a popular fan theory that Angela, in her quest to first steal the baby Jesus, hits her head on her fall from the pew. The rest of the movie is actually in Angela’s head as she survives in the hospital. I would just like to say that that is not true and those people should never, ever contact me again. Freaks. No better than Patrick in the movie. Although he had a sweet redemption arc.
Dolores O’Riordan sings Angela’s Song during the credits and it is worth it for that alone, seeing as it is almost a year since she sadly died.

Catch this flick on Netflix or get it on cheap blu-ray at the flea markets in Chelsea.