A Tale of Two Concerts

It was the best of times. It was the drunk of times. It was Snow Patrol. It was Metallica. It was Malahide Castle. It was Slane Castle. It was Heineken. It was more Heineken.

I’ve never been a regular concert-goer. Over the years my friends and peers have gone to acts such as Green Day and Metallica when I wasn’t allowed to go/ had no money for my own ticket! They’ve been to festivals like Oxygen and EP when I’ve been too young, dumb or broke to procure entry. It was a frustrating existence when the summer rolled around as groups would inevitably form to go to gigs and concerts and I’d settle in for another night watching Made In Chelsea.
I make it sound as if I was a recluse and a loner. While that might be somewhat true now it couldn’t have been further from the truth back then. I had many friends and many opportunities to attend events in Dublin or Cork. I couldn’t go either because I was too young or I was too broke.

I don’t have any regrets in this life. I do wish that I had gone to see Metallica in Marlay Park in 2009 when my friends all went up with one of their older brothers. I wish I had gone to see Green Day a few years after when they played in Dublin. I wish I had saved more money when I was that age instead of supporting the BFS in Blarney by buying chicken rolls any chance I got. Alas, these are not regrets. If I ever perfect time travel, and God knows I’ve been trying, I’d go back, ruffle my hair and say, “Eat those chicken rolls Cian. Your metabolism is fast and you’re strong. It won’t be like this in ten years.” And I’d respond, “STRANGER! FAT STRANGER! HEEEEEEEELLLLLPPPPP!!!” And I’d swiftly teleport back to 2040 Cork, where traffic hovers above the city, the river Lee is but a speck in our digital glasses and the Events Centre is still under construction!

I went to a good few concerts in New York and loved ’em all. Vance Joy in Prospect Park was probably my favourite. Although I knew all of the songs from his new album we kept shouting “Play Riptide ya prick.” While I’m confident Vance himself would probably find this funny, the American couples surrounding us obviously didn’t, and we received enough side-eye for another pair of glasses!
A number of us attended a gig in Brooklyn where Florence and the Machine played alongside Muse and AJR for charity. That was really enjoyable. We all got fairly drunk, though, and I apologise to the girl sitting in front of me. I did not mean to spill a whole can of Brooklyn Lager down your back. You were a good sport.

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Gary Lightbody

Snow Patrol were really, really good. I attended with the lovely Katie and we had an absolute ball. Malahide Castle was a cool venue, and it let me feel like I was at some part of a festival for the first time.
I couldn’t get over how smiley Gary Lightbody, the lead singer, was up on stage. Katie told me that the band had taken a break due to his problems with alcohol and he was now completely sober. Despite the fact that I knew perhaps three of their songs and had only listened to their new album about twelve hours previously, I was privileged to attend a concert where the artist was so visibly happy with what they were doing.

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James Hetfield and Kirk Hammett

The next day, still drunk from Coppers and whiskey n’ gingers, I made the long trek from the Green Zone Car Park to the entrance to Slane Castle. An hour and a bit later I arrived at my destination, two bottles of water and three cigarettes in, where I was ready to finally see Metallica. I hadn’t listened to their music in years, bar the day before where I scrambled to see would I still like them. And I did. I really did.
I could go into massive detail about the concert itself and the venue and how great it was and how we all let out a massive roar when the main act came on. I could tell you how nobody took their eyes off the stage and the hush before each song followed by a swelling shout will never leave my memory. I could tell you about Whiskey in the Jar and One and Master of Puppets and all the other classics they laid on us. I’d rather just say that the crowd, the fans, the people who attended the concert made it the best thing I’ve ever been a part of. Ever little interaction me and Sarah had was so delightfully wholesome; two lads from Tipp, where one worked in Blackpool, told us of other metal concerts and European cities; two young fellas who gave Sarah a card for his podcast; Jerry from Wisconsin who came all the way from the States to see the band; the rocker from Ennis who really didn’t like where he was from; the Polish lady in the queue for the food who had a Northern Irish twang; and the countless others.

The band was great.
The atmosphere was terrific.
The crowd stole the show.

If you want to take anything from this piece I wrote today it’s this…Eat all the chicken rolls you want.

X-Men: Dark Phoenix

It is with a heavy heart that I must write my first terrible review. Up until now I’ve thought most movies were, at the very least, average. I’ve made excuses for how bad they were. I’ve solved plotholes and bad performances to justify the money I’ve spent on the film. That time has passed. Dark Phoenix has broken the mold, and broken my heart.

The latest installment in the X-Men franchise tells the story of how Jean Grey, played by Winterfell’s own Sophie Turner, becomes the powerful Phoenix. After a rescue mission turns sour, Jean absorbs what seems to be a solar flare and is perfectly fine..for about ten minutes. She subsequently proceeds to kill close friends, alienate all around her and become an intergalactic fugitive. Charles Xavier (James McEvoy), Magneto (Michael Fassbender), Blue Beast Man (Nicholas Hoult) and a host of other mutants try to save/kill/contain her in a movie that is not even saved by a fantastic action set piece aboard a train.

Problems

I must admit that I haven’t seen Days of Future Past, so I’m not entirely sure what was wiped out in this timeline. Pretty much everything, I’ve been told. I know that this movie is more truthful to the comics and that The Last Stand has been eradicated, thankfully. Although the aforementioned action scene was fantastic, the first hour and a half are so boring and predictable that it doesn’t really matter.
The X-Men go on a dangerous mission -> Someone nearly dies -> People get annoyed at Charles because he thinks he’s never wrong -> Jean can’t control her powers -> A mysterious villain tries to take over Earth -> A major American city is nearly decimated -> The X-Men and Magneto save the day -> Fin.

I was really looking forward to seeing Jessica Chastain. Ever since Crimson Peak and Molly’s Game she has been one of my favourite actors. It is a shame, then, that she shows no emotion in this movie and has about ten minutes screen time.

I feel like there’s always a scene involving somebody’s parents abandoning or disapproving of their child’s mutant powers in a cul de sac estate in an X-Men movie. Maybe it was only X-Men 2 but the police always get involved and get absolutely owned, not realising that pulling a gun on a powerful being who can control your fu***ng mind is a bad idea. Pulling a gun on any mutant is a bad idea. Wolverine took a bullet in the head, rejected it and kept on keepin’ on. Different timelines, I know, but come on. Don’t pull guns on superheroes and don’t @ me.

I’m like a broken record with this timelines shpiel but I honestly have no problems with it. Keep churning out X-Men movies and I will more than likely go see them. However, different timelines doesn’t mean different appearances I would imagine. So if this movie is set in 1992 and the first X-Men was released in 2000, that means Magneto and Professor X have eight years to go from handsome, charming young men in their forties to totally different looking but no less handsome and charming men in their late sixties.
And yes, you might say to me that it’s a film about mutants walking the Earth and co-existing with a species that can’t even co-exist with other humans of a different colour. And I might say to you that I told you to not @ me and that it makes no Gawd Dayum Sense.

Positives

Train scene. Many fighting and impressive CGI. Cian happy with violence.

Rating

Rotten Tomatoes: 20%

IMDB: 5.9/10

TheRathpeaconRambler: 4/10.

Happy Friday folks and have a good weekend. I’m off to Snow Patrol and Metallica. I haven’t listened to either band since I was 14 so I can’t wait to not know the words and get smashed.

Ballad of the Rescuer – The Lost Gecko

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Artwork for the band’s latest release

Happy Friday, folks. I hope ye all have a lovely weekend planned and that the sun will shine, or at the very least the rain will stay away. In my last post, a review of Meghan Ali’s new song, Far Off Shores, I waxed lyrical about the talent that Cork has to offer. What I would like to clear up is that that is not a new phenomenon. Cork is the real capital and with legends like Rory Gallagher and travelling troubadours like Clare Sands to talk of, we can be very proud! Emerging talents can be found in any number of pubs, clubs and venues around Cork, plying their trade in the hope of making it big.

The band that I’m talking about today are far beyond the moniker of ’emerging talent’. It would be much fairer to call them an established set-up. Having formed in 2006 in Cork, The Lost Gecko have recorded 9 EPs, released an album and are due to release another later this year. They have performed in festivals in Amsterdam, Finland, and numerous ones in Ireland.

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The Lost Gecko merchandise is available on their Facebook page

If you get a chance to listen to their 2018 album, Solasta, meaning ‘Luminous’ in Scots-Gael, I would recommend Fan Liom as the go-to track. This song stood out to me not just because of the Irish language but because the arrangement before the verse kicks in is uplifiting and magical. Which brings me onto the song we’re hear to read about!

Ballad of the Rescuer was released on Spotify on May 20th. It has over a 1’000 plays on Spotify, and a good 100 of them are from me the last few days since I first heard the track. It is hard to describe the feeling I get when I hear the opening section of the song. The fingerpicking pattern that opens is beautiful and sad, especially when the low notes of the cello accompanies it. Then, an ethereal, mystic voice fills your eardrums and the ballad of the rescuer begins. For a brief minute I thought to myself that this song and sound was Bon Iver-esque. I copped myself on and saw it for what it was: authentic, beautiful sound from a talented trio.
“There’s nothing left inside of me” is a line that sticks out from the first verse, the minor notes picked at just the right time. I became invested in the rescuer’s journey, living every dip and dive in his mission.

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Malcolm, John and Elaine at a gig last year

A cacophony of sound greets us toward the end of our journey as the percussion comes to the fore. The ballad of the rescuer rings out as all three members of the band give their all for the last act; Malcolm Urquhart on guitar and vocals, Elaine McCarthy on cello and John O’Connor on percussion. It lifts you up for the final scene of the song, an image of the rescuer, exhausted and on his knees at the end of the day, played out by the same beautiful guitar playing and cello accompaniment that we heard at the start.

Well, that review got quite a bit more emotional than I ever intended! You will agree with me once you hear the haunting opening of the song. I can guarantee that as I never lie. Honest Cian, they call me.

Look out for The Lost Gecko’s new album, The Ghost That Minds the Crows, due to be released this year at Claycastle Studios in Youghal with John Burke. They are on Spotify and Youtube so give their pages a follow! The Lost Gecko are playing a number of gigs around Cork in the coming days but they are also supposrting Meghan Ali next month in Maureen’s bar in Cork City. June 23rd, pencil it in. Keep an eye on the blog for more music reviews and news of the bands and artists I’ve already reviewed. Have a good one!

Far Off Shores – Meghan Ali

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Cork is full of thriving, talented musicians. From rap to traditional, hip hop to indie-pop, the Rebel County is a hotbed of young, up and coming artists. I am lucky to have played with some, attended the gigs of others, but one of my greatest honours is calling some of them my friends.
Meghan Ali is a singer songwriter and guitar player from Rathpeacon. Technically, she is from just off the Mallow Road/Old Mallow Road, but we’ll claim her here in Rathpeacon when she goes big. She has been making music her whole life, but it has really been the last six or seven years in which she has been most productive. She has released popular single after popular single, receiving generous airtime on Cork radio stations. Her latest release might just be the best of the bunch, and that’s saying something.

Far Off Shores was released earlier this week and with already over a thousand plays on Spotify it is showing how Meghan’s star continues to rise. On first listen to the lyrics it espouses the same message as Meg’s previous releases Coming Home for Christmas, which was later re-released as Coming Home (ft. Clare Sands). Each of these songs tells the story of our generation; always going to far off lands, never knowing when we’ll be home next and hoping that our relatives are doing O.K. without us.

The song starts with the low notes of a flute resonating around us, a faint chime in the background, echoing the sounds of the hit Irish animated feature, Song of the Sea. Meghan’s music is undoubtedly Irish, her accent shining through in songs as well as her use of the violin and acoustic guitar. Each instrument provides a light backing for Meghan’s powerful voice through each verse, rising to a crescendo just before each chorus. Far Off Shores is catchy and the chorus will play again and again in your head after each listen.

Watching the video after listening to the song changes the meaning. This is a tribute to Meghan’s late grandfather, played by his twin brother, John. The video is just like the singer herself, full of love for family close and far. It is truly a Maguire and O’Brien affair!
It would be criminal to mention the video and not bring your attention to the awesome panoramic shot that leaves John looking out at a lake/river/water feature, circle around and then back in to the main man himself.

This is a biased review in that I’ve known Meghan for years and love all of her music. However, it is also a truthful article because we’ve all lost someone. Although the song deals with the loss of a loved one, as I said before it could also be a homage to those closest to us departing these shores for a better life abroad. Therein lies the beauty of Meghan’s songwriting.

Meghan Ali can be followed on all social media platforms. Far Off Shores is available on Spotify now, and the video is on Youtube. I’ll even post the video below here so you don’t have to type anything in. No problem guys! Happy Thursday.

Country Girls

“Take what you can get from Ireland and scoot… Leave before it takes your belief from you, or worse, buries it within you.” So says Finn, a down on his luck poet living in Dublin, advising our main character Kate to leave the Emerald Isle and seek pastures new. His appearance and announcements coincide with the bleaker view of Ireland we see in the latter parts of the play. At first we are told of the haunting beauty of the lakes and the bogs, learning later that even Irelnad’s rugged beauty can not keep someone whose heart is broken by the people and the place.

Edna O’Brien’s debut novel, The Country Girls, was published in 1960. Like the rest of her work in that decade, the book was banned, as were the two sequels, The Lonely Girls, and Girls in Their Married Bliss. On viewing the play last night, one can see why it was banned in the Irleland of the time; Full of sexual innuendo, some playful scenes, a hint of a lesbian relationship and full on mockery of nuns, the crowd would have been up in arms!

Kate and Baba are our two country girls. After Kate’s mother dies in a boat accident and needing a place to stay away from her drunken, abusive father, she goes to live with Baba and her parents. The two girls go to the prestigious convent, St. Enda’s, where Kate excels in all things studious, while Baba is content to study her body and not much else.
Following an incident at school, the country girls make the move to Dublin. The vibrance and non-stop clock of the city life will set the girls on two different paths; Kate on one of heartbreak; and Baba on one of self-discovery.

Instead of drawling on about the different acts and scenes of the play, I think a good indicator of how good this play was was the ending. After Kate says goodbye to Ireland and her past the whole cast comes out and performs a small dance number, with Kate finally running towards the back of the stage as if towards her future. The stage goes pitch black and you’re left to wonder how will she get on in London? I audibly gasped, which I take as a good sign.
The set design was innovative and enjoyable. Every prop was suspended above the stage, ready to be released down when needed and pulled back up again when the scene finished.
Catriona Ennis who played Baba, the foul mouthed and wayward friend, was hilarious and a joy to watch. She commanded the stage when present, generating healthy laughs from the audience.
While the rest of the play was full of life, music, dance or movement, the scene between Kate, played by Grace Collender and Mr. Gentleman, played by Steven McCarthy fell a bit flat. In contrast, the fantastic Collender was a giant in the scenes with her father.

As the play opened, we saw Kate and her mother dancing and running around the stage. I immediately sank into my chair, preparing myself for two hours of an Irish novel told through interprative dance. I’m very glad I was wrong.

The Country Girls is playing in the Opera House until this Saturday the 20th.

Pet Sematary

For decades now, audiences around the world have been mesmerised, terrorised and astounded by adaptations of Stephen King’s works. The prolific author has seen many of his novels make the big screen. The Shining, Stand By Me and Shawshank Redemption, to name but a few, are all classics and examples of how well a book can be transferred onto the big screen.
Jeté Laurence in Pet Sematary (2019)

Some of King’s more dark and terrifying pieces have found new audiences over the past few years. It was a hit worldwide and a sequel is now being filmed. Like Pet Sematary, it was a remake of a well received take on the horror master’s work. I saw the latter over the weekend and can inform you now that it is as terrifying as the trailer makes it out to be. As King himslef said, it is the one work that kept him up at night. And that’s saying something ya freak!

Pet Sematary opens with the Creed family on the way to their new home in Ludlow. Louis Creed, played by Jason Clarke, is moving to the countryside with his wife Rachel (Amy Seimetz), daughter Ellie (Jetee Laurence), son Gage (Hugo and Lucas Lavoje), and cat Church. Trying to escape the frantic city life of Boston, the Creed’s have bought a lovely house with 50 acres of woods attached. In an attempt to work better schedules and reconnect with his kids, Louis takes the day shift at the University health centre where nosebleeds and sprained ankles are the port of call.
Rachel and Ellie discover a graveyard for pets located within their property. They meet Jud (John Lithgow), an older neighnour who seems to know more about the pet cemetery than he’s letting on.
After a shocking death at the univerity, Church being knocked down and terrifying nightmares, Jud shows Louis a place where the living don’t dare to journey and the dead don’t care to stay.

Jason Clarke in Pet Sematary (2019)

Jason Clarke blurs the line between rational professional and unhinged father in this terrifying film. His performance of a man slwoly unravelling while attemting to hold onto his beliefs and what is right was a pleasure to see.
Amy Seimetz was equally as powerful in her role as a guilt ridden wife with a terrible secret. It was in her scenes where she relives her terrible nights alone with her sister that had me fully back in the seat with my eyes almost covered.
The star of the show was young Jetee Laurence. She turns seamlessly from angelic daughter to demonic satan-child at the blink of an eye. I hope she isn’t typecast in the future because she was fanatstic. Terrifying, but great.

I do wish that the film explored the relationship between Rachel and her latte sister. It was terrifying but didn’t finish its journey. The filmmakers teased a horrifying reveal towards the end but left it at that. Just a reveal.
Although I was extremely scared throughout and still don’t know how i manged to eat popcorn while simultaneously, it hasn’t kept me awake at night like I thought it would. I was on edge for a few hours but I’ve moved on. I’ve grown as a person it seems and don’t put too much stock in horror movies anymore. In saying that, give me a romcom anyday.

4/5.

Us – Movie Review

Jordan Peele’s latest horror offering is as mindbending and thrilling as Get Out. However, Us is its own film with its own ideas and impeccable twists and turns. After viewing this earlier tonight and searching twitter for user responses and funny gifs, I’ve decided that it is hard to pick a favourite between the two. There is a lot more going on in this instalment, sometimes to its detriment, but it is clear that it requires at least two viewings.

The film opens in 1986 with a young Adelaide (Madison Currey) walking the boardwalk of Santa Cruz with her father and mother. The parents bicker throughout and when her mother goes to the bathroom and her father ignores her, Adelaide walks down to the beach. She sees a mirror funhouse and enters. Inside, the lights shut off and after trying to find her way out she bumps into a doppelganger of herself. Adleaide begins to scream and the movie cuts to the present day.
Adelaide is now en route back to Santa Cruz with her husband and two children. The adult Adelaide (Lupita Nyong’o) does not want to revisit the boardwalk where she encountered that terrible horror all those years ago. Her husband Gabe (Winston Duke), obviously doesn’t share her fears. Gabe and the two kids, Zora (Shahadi Wright Joseph) and Jason (Evan Alex), are all wrapped up in their own material worlds, choosing image, technology and a mask instead of realising that their mother would rather be anywhere else. Adelaide’s fears come true when a strange family appear at the top of their drive. The doppelgangers have come and are out for blood. What follows is an hour and a bit of intense scares and breathless thrills.

It is another offering from Peele that blurs the lines between horror, psychological thriller and action. The film touches heavily on class divide and the segregation of people. The wealthy and lucky only need worry about their appearance and possessions in life while the doppelgangers, or tethered, only know that they are not worthy of such things and must suffer life down below. Themes such as faith, materialism and ethics are rife throughout. I would implore any viewer to take most of the dialogue very seriously. You don’t know what throwaway line, action or scene might rear its head later on.

Nyong’o steals the show as Adelaide and Red. While Wright Joseph is extremely impressive in her dual performance also, it is the Oscar winner known for her portrayal of Patsey in 12 Years a Slave that blows the audience away. She plays the terrified Adelaide so well while also portraying the deranged and vengeful Red with frightening reality.
As I said earlier, this movie is similar to Get Out in that the twists and turns are impeccable. Us is a proper headscratcher. I won’t give away any spoilers but I guarantee that by the end of the movie you’ll be walking around in your day to day life wondering whether your doppelganger will pop out at any second and take your place. You’ll also be thinking of every line that has been said in the film and linking it all together. The only problem is that just like Det. Kujan, you’ll be too late and Keyser Soze will have been off on his escape already.

Netflix Selection: After Life and Paddleton

Ricky Gervais has found himself, or put himself, in the news again talking about snowflakes and people getting easily offended. While I agree with him about people being a little too quick to jump the gun on what they think is offensive nowadays, he has been spouting the same stuff for well over a decade now. However, it is always good publicity when a new show comes out. Today I’ll be going over his new show After Life and the indie comedy Paddleton that he is not affiliated with.

After Life

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Gervais plays Tony, a miserable, suicidal man mourning the death of his wife. He has a penchant to say horrible things that pop into his head because, as he sees it, he’s going to be shaking off his mortal coil soon. He works at the local free paper and is nasty to his boss who happens to be his brother in law, and everyone else who crosses his path.

I liked the show. I enjoy Gervais, especially as David Brent and in his animated show from a few years ago with Stephen Merchant and Karl Pilkington. I appreciate that he is not everybody’s patronising cup of tea. He doesn’t do himself any favours with his constant harping on about offensive material, although i do agree, and the amount of fat jokes aren’t helping him with anyone.
All in all though, I’d recommend this show and would urge people to leave their sensitivity at the door. It is a tad bit predictable but that last episode is worth it.  It’s not for everyone, but the sweet moments are tearfully emotional and the jokes are  barbwire sharp.

Paddleton

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This indie buddy-comedy starring Ray Romano and Mark Duplass is another one that hits in the feels. Romano and Duplass are Andy and Michael, two socially awkward neighbours turned best friends. They hang out every night, watch Kung Fu movies, eat pizza and play a made up game derived from squash called Paddleton. Michael is diagnosed with an incurable form of cancer, sending the two on a roadtrip for a special kind of medication which lands the two in an emotional, funny and charming look into friendship and love.

As everybody knows I enjoy almost everything I watch. This was no different, although I wouldn’t say I was hooked. It is very slow and the hijinks the guys get up to on their trip are marred by their ineptitude at talking to women and people in general.
There are some poignant moments that are totes, dare I say, emosh, but I’d give it a skip. You won’t miss out if you miss this one.

I’ll be back Sunday with a Paddy’s Day post and/or Monday with more reviews/news and sports.

Netflix Selection: Umbrella Academy and Russian Doll.

The digital streaming behemoth has had a great start to the year. After producing some dubious figures and some questionable stats about the viewing figures of a number of shows, Netflix has come good again with a selection of Originals, their own personally funded and produced shows, and new additions from established artists.

The Umbrella Academy

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The first of these shows that I watched was Umbrella Academy. Revolving around a group of unwilling superheroes who were plucked from their mothers at birth by the eccentric and mean Sir Reginald Hargreeves, the story centres on the apocalypse and how life, or the end of all life, pulls you back to the ones you are closest with; in this case, your superhero brothers and sisters.

I really enjoyed this show. 10 episodes at 55 mins approx. each might seem like a lot but it flowed easily enough. There was a spot around episodes 6, 7 and 8 that dragged a bit but the end of the 8th episode and the final two installments are superb.
Robert Sheehan plays Klaus, one of the troubled supers, almost like a supercharged Nathan from Misfits. He is so effortlessly funny, flighty and camp while also developing as a character throughout the season. Although his accent doesn’t stay true the entire time, much like his role as Darren in Love/Hate, he still steals the show for me.
Aidan Gallagher as Number Five was also a joy to watch, as was Mary J. Blige as one part of a fiersome hitman team out to get Five. Colm Feore’s turn as the madcap billionaire was fun to watch in flashback scenes, even if you did feel for the neglected heroes.

I’d definitely recommend this show to most people and would urge you to power through the mid season lag.

Russian Doll

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Another show that deals with the marching of time and also the reset, is Russian Doll. Natasha Lyonne stars and produces in this show about Nadia, a thirty-something New Yorker who spends her nights drinking, smoking and doing whatever she wants. It is her birthday, and after going home with a smooth talker, she gets knocked down while running across the street for her cat. In the blink of an eye she is back up at her party the night before while all the other guests carry on as normal.
Nadia thinks she is on her own until she meets Alan in a hurtling elevator shaft before impending death. He reveals he has the same affliction; they both die and reset to the same point in their lives. The two go on to try and solve their problem, learning some dark truths about each other and themselves along the way.

Lyonne is fantastic as the witty, clever and self-sabotaging Nadia, still suffering from her mother’s abuses and struggling to see a happy ending. I haven’t watched OITNB but she is brilliant in this, playing the tough talking, streetwise New Yorker with ease.
Charlie Barnett plays Alan, Nadia’s unfortunate companion in their horrible situation. He is the polar opposite to Nadia; he is clean, rigid and sticks to a schedule. He is also hiding some mental health issues and refuses to face them, prompting both to wonder why they are in this mess. Barnett comes alive when he shows real emotion and both Lyonne and he work well together.
I enjoyed this show also, partly because it was set in New York and I got to live vicariously through the characters and remember my time there. A word of warning, though, is that the show gets incredibly dark in the last three episodes. The show is not for everyone.

Tomorrow I will review Ricky Gervais’ After Life and the indie buddy-comedy Paddleton, starring Ray Romano and Mark Duplass.

 

 

 

Captain Marvel

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The newest installment in the Marvel Cinematic Universe hit our screens last Friday. Excitement surrounding the Avengers storyline has been high over the last number of years and with Endgame being released next month I wasn’t so sure that this was a necessary movie to release right now. I’m pleased to say that I was completely wrong.
The Marvel films are always enjoyable to watch, mixing action and humour effortlessly. Pithy one liners are a constant and the final face off between the goodies and the baddies are worth the two hour build up. Captain Marvel had all of these in droves while also putting a new spin on some aspects of the filmmaking process.

Captain Marvel tells the story of Vers (pronounced Veers), played by Brie Larson, a Kree soldier being trained to defeat a race called the Skrull, shapeshifters, in an intergalactic war. She has gaps in her memory and can’t remember her life before a Skrull attack six years ago. When she is captured by these shapeshifters and they reveal more about her past she follows them to C-53, Terra, or good old Earth. She meets two young agents, Fury and Coulson and begins to learn her true identity as the first hero of the galaxy.

All in all, I thought the movie was very good. It wan’t as funny as Thor: Ragnarok but was definitely funnier than most of the other films in the MCU. After talking to my friend about the movie, we agreed that if Captain Marvel is to save Tony from almost certain death in space then we cannot wait for the riposte and the banter between the two.
A big part of the movie I liked is that it set a good pace for the story. Due to the fact that Vers has no memory before six years ago and is already imbued with awesome powers we skip the hour/hour and a half of build up and figuring out who she is and who she can become. While this does in fact happen later in the movie, Vers already has her powers, knows how to use them and just gets on with it!
The soundtrack is also perfect. The movie is set in 1995, so the songs chosen are a mixture of Rock, Grunge and Pop/RnB. What a mixture! There is an epic scene between Larson and Anette Bening where Nirvana’s “Come as You Are”, plays. The title of the song is poignant in that moment in the film but it also just fits so well with what is happening on the screen.

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Larson is fantastic as Vers. She plays the soldier/piolet/saviour with confidence and is at ease with other big names such as Jude Law, Samuel L. Jackson and Bening. She has won an oscar after all!
Samuel L. Jackson, CGI’d to be twenty years younger in this movie and with both of his eyes, is a scene stealer as always. He and Larson bounce off each other and the characters are like old friends at the end of the movie.
Ben Mendelsohn plays one of the villains of the piece, Talos, a Skrull captain. Although their ability to shapeshift is unnerving and their appearance is undesirable, Mendelsohn is hilarious in this movie. I do have a friend who shall reMuireann nameless who found the Skrull’s attractive. In case anyone wanted to know.

I have read a lot of mixed reviews about this chapter of the MCU. Many, like I did origibnally, thought it was unneccessary and would be forgettable. I only went to see the post credit scene which ironically wasn’t worth staying for, but I’m glad I went.
Reviews I have read since have said it is forgettable and that she isn’t a likeable hero. I respectfully disagree on that count as like all Marvel movies, she has serious help from those around her. The difference is that in the end, she realises her true potential and is powerful enough to do whatever she wants.

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This film is an empowering movie for women without claiming to be one. Anna Boden directed this alongside Ryan Fleck, while Boden, Fleck and three other women wrote the screenplay and the story. Pinar Toprak composed the score, making this Marvel’s first ever film composed by a female. These real life women alongside the fictional powerful female characters in this story make this a film worth watching.